

















This series was captured in Kenya, from the back seat of a moving car — a place between presence and distance. Framed by the lines of a seatbelt, a window, or a car door, each photo becomes a quiet glimpse into the lives of strangers, just passing by. What started as instinctive shooting became something deeper: an exploration of sonder — the realisation that every person we pass holds a life as vivid and complex as our own. Shot on the move, the images blur slightly, like memory. Faces fade, motion lingers, and the frame — sometimes literal, sometimes abstract — becomes part of the story. There’s a surreal quality in the everyday scenes, shaped not just by the place, but by how I saw it: through glass, through movement, through the lens of personal reflection. This series is about perspective — physical and emotional. It’s about witnessing fragments and wondering what lies beyond them.