Projections

This series plays with perspective and surrealism — using projected visuals and long exposures to distort the face and stretch the idea of identity. By layering images over the body, I was interested in how a face can shift, break apart, or blur entirely depending on how it's lit, seen, or framed. The result feels dreamlike — almost like a glitch in reality — where identity becomes something unstable, fluid, and open to interpretation. This was an experiment in both perspective and perception. What happens when we bend the rules of how we expect to see a person? What new stories show up in the blur?